If you're thinking of recording a few hundred Pan Pipes at Lake Titikaka, IMax scores in Prague, Concerti in Krakow, Chamber music in Moab grottos, Piano Competitions in Fort Worth, or Live broadcasts from Carnegie me, I’ve done it.


Having used (or made) Control Rooms in audio trucks, video trucks, greenrooms, and restrooms, I’ve always enjoyed the challenge and spontaneity of capturing music at its best: in acoustically flattering venues where the musicians are energized by the space and the moment.

Tom Lazarus recording


Stereo, Surround, and Ambisonic mixing with ProTools, Pyramix, and Sonic DAWs. Eggleston Savoy, and ATC SCM 150s monitors. Grace Design, and Apogee Converters.

Tom Lazarus mixing


The art of recording is the engineer's ability to be a seamless liaison to technology. Having the right tools makes it all much easier and way more fun. Over the years I’ve developed a well-designed complement of recording gear, and use it as a complete FlyPack system, or to simply augment a studio’s inventory with specialized Microphones, Preamps, and Converters.

Tom Lazarus supervising

Get in touch

If you'd like help on your next project please do not hesitate to send me a message.